Honestly, it started off a little shaky, which I blame on Luhrmann directing the first episode. While I loves me some Baz, restraint is not a word in his vocabulary. But by the final notes of the sixth episode, I was fully on board. The Get Down is a vibrant, consistently engaging ode to disco, hip hop, and Gay Black Guys Kiss New York—and all the things that were wrong with them.
Among the highlights is young, pretty, woke Jaden Smith, playing young, pretty, woke graffito Marcus "Dizzee" Kipling. He's the most soulful character, with an afro as expansive as his consciousness. Dizzee tags subway cars under the name Rumi, and one day he meets a fellow graffiti artist, the young, pretty, woke Thor.
The two definitely share a special connection, which we're beaten over the head with while at a gay club playing "Telepathy"—a new disco track from Christina Aguilera a sentence I've been waiting to write for 15 years. Even Thor's sassy, beret-wearing gal pal can sense there's something between the two and she says what we're all thinking. But just when we think they're about to lock lips, we get bombarded with a montage of queer-baiting imagery, including an exposed breast that I don't mind yet certainly can't explain.
Then we're left with the two of them locking It feels kind of like a dirty gip, much like "Gay Black Guys Kiss" to wait till for part two of the series. With a tit literally in our faces, it's not like The Get Down 's shying away from sexuality, just maybe homosexuality.
Sure, they're Gay Black Guys Kiss a gay club—note the duck walking drag queens—but where's the gay?
Dizzee is black, living in The Bronx, and from the gist we get of his character, this is his first time at the rodeo. He's also part of a hip hop group with his friends and brothers, who casually toss around the word "faggot" from time to time.
Hip hop, a traditionally ultra-masculine artform was nonetheless spiritual siblings with disco, which catered largely to gay audiences —disco tracks were used as the beats DJs and MCs
Gay Black Guys Kiss to make their own records, from "Rapper's Delight" to "Mo Money Mo Problems.
The only thing is, The Get Down does a better job at the latter.
So maybe Dizzee and Jaden have something else in common besides being young, pretty, and woke. Maybe Dizzee doesn't subscribe to labels either. We'll have to wait for part two to find out. Still, with a tit Gay Black Guys Kiss in our faces, would a gay kiss have killed anyone? So was this a poor creative choice and not one necessarily rooted in homophobia?
Check out the clip below and decide for yourself. One thing, however, is abundantly clear: If you can really call it that. By Les Fabian Brathwaite.
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